In the countdown, the time remaining is already
past, and the maximal utopia of life gives way to the minimal utopia of
survival. We are experiencing time and history in a kind of deep coma. This is
the hysteresis of the millennium, which expresses itself in interminable
crisis. It is no longer the future which lies before us, but an anorexic
dimension - the impossibility of being finished and, at the same time, the impossibility
of seeing beyond. Prediction, foresight being the memory of the future, it
diminishes in exact proportion to the memory of the past. When everything can
be seen, nothing can beJ)reseen any more.
What is there beyond the end? Beyond
the end extends virtual reality, the horizon of a programmed reality in which
all our known functions - memory, emotions, sexuality, intelligence - become
progressively useless. Beyond the end, in the era of the transpolitical, the
trans-sexual, the transaesthetic, all our desiring machines become little
spectacle machines, then quite simply bachelor machines, before dying away into
the countdown of the species.
The countdown is the code of the automatic
disappearance of the world, and all our little humanitarian machines, by way
of which we anticipate that disappearance - the Telethons,' Sidathons2and all
the rest of the Thanatons - are merely the promotional Sales Event for the
misery of this fin de sie'cle. But - and this is even more paradoxical - what
are we to do when nothing really comes to an end any more, that is to say, when
nothing ever really takes place, since everything is already calculated,
accounted for, expired and realized in advance (the simu- lacrum taking
precedence over the real, information taking precedence over the event, etc.)?
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